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Wonderful transformation and insights in this short, impressive piece. The balance of desire and regret, the tremendous price of mid-life love, the understandable need to escape from a loveless marriage even at the expense of her own children, are all captured in a few thousand words. And every page oozes with a sense of place and time. The author achieves all this while making it appear effortless. What a lovely read. There is a kind of urgency right away as the family crosses a border with a richness of language and detail make it feel incredibly real. Wonderful portrayal of a particular domestic life, brought alive in a set of small scenes that make it feel as though the reader is flipping through an album of memories.

In the early pages, the author often divides up her sentences, creating phrases that are punctuated as though they are sentences. While I recognized this was a stylistic choice, I found it distracting and kept wanting to reorganize the words so that they conformed to a more conventional grammar. As the narrative continues, the spliced up sentences seem less frequent and the flow is far better. The characters are well developed in only a short space and the writing is full of wonderful details that give the work lots of authority.

I love the haircut and its aftermath, Aunt May, the slightly creepy uncle and the very stern, rather awful, father. We only get a small smattering of his character early on. I think the author might have him utter something disapproving of Wendy earlier on so that when he is even worse later we see a deepening of that character development. The piece gets stronger when specific scenes are presented and acted out, rather than the more generally related. The details about the need for money and better shoes through the winter are great. Lovely ending that opens out onto more questions.

Shell by Deborah Martin Glasgow, Scotland. It was ambitious to try to span so much time in so few pages and the sense of scene is a little thin at time. However, it was a pleasure to read such a thoughtful piece about a difficult subject.

OUR FIRST FUNERAL *extremely emotional* saying goodbye together as a family

This lack of conscious memory makes it a unique kind of memoir, one fashioned on external information from experts on the subject, yet it manages to also be personal. A particularly lovely opening as well as a stunning last paragraph. I longed for the writer to take a position against the established practices of the lab, but that never arrived.

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I appreciated the way in which details were given, as well as the deftness of language that permeates the whole of the piece. While there are so many direct addresses that, at times, the piece seems not to be consistently first-person nor second person, I quite like it.

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These glorious pieces have spun across the globe — pit-stopping in Japan, the Aussie outback, Vancouver, Paris, Amsterdam and our own Hibernian shores — traversing times past, present and imagined future as deftly as they mine the secret tunnels of the human heart. Enjoy the cavalcade. The standard is high, in terms of the emotional impact these writers managed to wring from just a few pages.

Loop-de-loopy, fizz, and dazzle … unique and compelling—compressed, expansive, and surprising. Energetic, dense with detail … engages us in the act of seeing, reminds us that attention is itself a form of praise. Dead Souls has the magic surplus of meaning that characterises fine examples of the form — Neel Mukherjee I was looking for terrific writing of course — something Fish attracts in spades, and I was richly rewarded right across the spectrum — Vanessa Gebbie Really excellent — skilfully woven — Chris Stewart Remarkable — Jo Shapcott.

The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey. An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, […]. How do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity?

The pieces selected here seem to prompt all these questions and the best of them offer some great answers.

List of book-burning incidents

What a high standard all round — of craft, imagination and originality: and what a wide range of feeling and vision. Ruth Padel. I was struck by how funny many of the stories are, several of them joyously so — they are madcap and eccentric and great fun. Others — despite restrained and elegant prose — managed to be devastating. All of them are the work of writers with talent. Claire Kilroy. The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary. A new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come.

David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.

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The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. I sing those who are published here — they have done a very fine job.

It is difficult to create from dust, which is what writers do. It is an honour to have read your work. From these the judges have selected winners, we believe, of exceptional virtue. I was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. To prevent more Tupac tragedies , we need to understand what happened, and why:.

On Sept.

Marion Barry

Anderson and three other Crips went looking for payback. Anderson shot Tupac from the back seat of the Caddy. Just the basic street arithmetic that continues to send thousands of black males to their graves. But thanks to Internet-borne conspiracies and institutional injustice toward black life , the question of who murked Pac has never been murkier.

  • Fish Books!
  • Cockroach.
  • Rachel Kaadzi Ghansah, freelance reporter, GQ.

But if you scrape all that away …. Tray identified Anderson as one of the Crips who snatched his chain. These are indisputable facts, backed by witness testimony, police reports and videotape. I first saw them gathered in one place in the May issue of Vibe magazine, in a story by Rob Marriott. When the bullets stopped flying, 13 gangsters had been shot, three fatally. That web was real. On top of all that, shortly before his death Tupac argued with Suge over unpaid royalties, fired Death Row lawyer David Kenner and planned to leave the label.

Police, meanwhile, added to the confusion. Poole was ultimately removed from the case and resigned from the LAPD in Anderson denied killing Tupac and was never charged. In , Anderson was shot dead outside a Compton car wash over what police there said was a drug debt.

The murder of Tupac Shakur is a tragedy — but the why is not a complete mystery — The Undefeated

The trap worked. Kading was in the room questioning Keffe D. The interview was recorded. They started doing business. At that party, Keffe said, Zip introduced him to Combs. At one point, Keffe D alleged, Combs said he would pay a million dollars for Pac and Suge to be killed. Consider that done. Combs has adamantly denied soliciting any murder. After the lobby rumble, when Keffe Dheard his nephew Anderson got stomped by Death Row, they immediately planned to retaliate. Zip gave Keffe D a.

Kading wrote:.